Sunday Arts Magazine

Premiering a year after their landmark hit The Threepenny Opera, Kurt Weill, Bertolt Brecht and Elisabeth Hauptmann’s anti-capitalist musical comedy tells the unlikely love story of gangster Bill Cracker and Salvation Army Lieutenant Lillian Holiday. Happy End roars with Weill’s musical genius and charismatic jazz-influenced style, boasting some of Weill and Brecht’s most iconic songs.

Following their triumphant collaboration on Tom Waits and William S. Burroughs’ The Black Rider: The Casting of the Magic Bullets (2017), this new production of Weill’s musical reunites director Matthew Lutton and musical director Phoebe Briggs.

Witness a remarkable ensemble in this rarely staged gem of the 20th century