Out Takes

22 Jul 2024

2024 Melbourne Documentary Film Festival + ‘S/He Is Still Her/e – The Official Genesis P-Orridge Documentary’ via MQFF

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2024 Melbourne Documentary Film Festival + ‘S/He Is Still Her/e – The Official Genesis P-Orridge Documentary’ via MQFF

For this Out Takes, we were excited to herald the return of the Melbourne Documentary Film Festival by turning the spotlight directly on to three local filmmakers presenting queer focused short films in this year’s program that offer further proof of the high quality content being produced around Australia.

Our first guest was delsi who’s film ‘FEMME’ explores what it means to be a queer femme person in modern Australia through the perspectives of 13 queer people and looks at some of the unique challenges femme people face and the beautiful parts too. Our second guest was Clementine Lloyd with ‘SYSTEM ERRORS’ which delves into the diverse experiences of online sex workers, seeking to humanise those who are frequently dehumanised by societal norms . Last but not least was ‘THE END IS THE BEGINNING IS THE END’ which is directed by Yilin Xie and is a portrait of Horis Chen who sees homosexuality through the lens of Buddhism, introducing an Eastern approach that all beings are equal regardless of gender or sexual orientation. All three films are part of the MDFF Shorts Session 5 which is selling fast so don’t miss your chance to see these films on the big screen this July.

We also reviewed the latest feature documentary from David Charles Rodrigues in the lead up to the Australian premiere of ‘S/He Is Still Her/e – The Official Genesis P-Orridge Documentary’ on Saturday July 27 and features an exclusive Q&A after the screening with the director in person hosted by Melbourne Queer Film Festival’s Program Director Cerise Howard. Co-presented by MQFF and ACMI, ‘S/He Is Still Her/e’ is an authorised documentary portrait of one of the most singular – yet profoundly plural – and tirelessly radical artists of the 20th and 21st century, made during the final year of their life. The film interweaves archival footage of Genesis P-Orridge with raw, reflective interviews conducted while wholly cognisant they hadn’t much longer to live. It is like no other film you’ll see this year and with an in-person Q&A with the director on offer it is definitely not to be missed.